This is the latest commission I am working on but it is slow progress. Not only are the markings on the horse very complicated and full of subtle colours, I am struggling with the lack of daylight November brings. Usually I can get by during dull days using a daylight lamp, but once the main electric light in the room has been turned on, the colours in my palette and on the paper are distorted with a yellowish hue. Most of the time I can allow for this and keep on working, but I daren't with this one for fear of wrecking it totally. So working hours are mainly in the morning up until lunchtime, with possibly an hour after lunch if I am lucky. Very frustrating indeed!
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